HelHolc

The Brussels-born painter has exhibited extensively in Europe. Received in 1992 by the city of Florence and exhibited at the city’s Beaux-Arts, he was one of those rare painters accepted into the very closed circle of Florence’s Academy of Arts, and it was the 300 Izoard studio that first revealed his work in 1982.

His pictorial work declines a large palette of colors of the abstraction of the symbolism and many references ethnic, or spatial, a universe in permanent evolution in the course of his work but which it seems to follow like a wire which goes in the imaginary figurative space where settles anthropomorphic forms.
Their paintings remains a journey where the mind and the eye can wander at will, without really trying to understand anything other than the escape it offers, keeping the reference to quattrocento windows, perspectives and gestures inspired by Japanese littré.

In Helholc’s paintings, we can see a space, a kind of landscape, between free abstraction and graphic figurative suggestions, perspectives that seem to be barely sketched out, suggesting to the observer an observation, The painter uses a wide palette of colors, allowing the observer to confront his or her feelings with the energy of the work,” The artist in residence at Galerie Bloom is represented by Galerie Alaux. On the international scene, a collaboration with his Brussels gallerist.